Mark Eades Enterprises
  • Home
  • About
Mark Eades Enterprises
  • Home
  • About
Tag:

Walt Disney

agingDaddy ZonefatherhoodparentingparentsRailroads

Day 10 of An Adventure in the Daddy Zone With My Dad

by Mark Eades November 9, 2018

Today was all about boyhood homes – that of Walt and Roy Disney, and Mr. Clemens, better known as Mark Twain.

Downtown Marceline.

This is downtown Marceline, Missouri – the boyhood home of Walt and Roy Disney. Dad and I paid a visit to it today.

The museum in Marceline.

We paid a visit to the Walt Disney Hometown Museum, housed in the Santa Fe Depot, right next to the railroad tracks. Trains run by at high speed many times a day.

Marceline depot.

Part of the interior is meant to look like the classic old train depot that it once was.

Walt’s visit

Midget Autopia

I went on this attraction at Disneyland in 1962. Disney gave it to Marceline when it was removed, but it is no longer in any shape to run. They would like to restore it – I donate $5 to the cause.

How much to go to Kalamazoo?

Dad wanted to buy a train ticket – sadly, no one at the window in the Marceline Santa Fe Depot.

Who’s the leader of the club…

This Mickey Mouse flag hangs above you in one of the rooms at the Walt Disney Hometown Museum.

Mouse dolls.

A couple of original Mickey Mouse Dolls from way back then.

Which way to the Disneyland?

Tour guide

A nice front porch in the Walt Disney Hometown Museum.

Light it up

The first light desk Walt used, along with Ub Iwerks, to animate on.

No one’s sleeping in that castle.

A nice model with a nice painting of a younger Walt Disney on the wall behind it.

The hostess at the Walt Disney Hometown Museum

This is Inez, the hostess at the Walt Disney Hometown Museum. She met Walt Disney several times.

Steamed!

This great old steam locomotive sits in the park adjacent to the Walt Disney Hometown Museum in Marceline, Missouri.

Coke corner

The Coca Cola Refreshment Corner at Disneyland is based loosely on Walt’s experiences in this corner location.

I’ll have the real thing.

The Coca Cola Company paid for the restoration of this old billboard painted on the side of the building in Marceline, Missouri.

A boyhood home

That house, which has people living in it, was the boyhood home of Walt and Roy Disney, the farm is behind it.

Dreaming

This is the son of Walt Disney’s Dreaming Tree.

Walt’s family barn

Dad stands inside Walt’s family barn.

By the Mark Twain

Welcome to Hannibal, Missouri!

More downtown Hannibal

Whitewash

I put Dad to work painting the fence white.

The house where Mark Twain grew up, in Hannibal.

The home where the boy who was the model for Huck Finn lived, in Hannibal.

The dining area in Mark Twain’s boyhood home.

More of Mark Twain’s boyhood home.

This is where the girl who was the model for Becky Thatcher lived.

Mark Twain’s dad really was a justice of the peace.

Old Man River – yes, that’s the Mississippi River.

Mark Twain statue by the Mississippi River on the waterfront of Hannibal.

By the Mark Twain.

This Mark Twain paddle wheeler sits at a dock on the waterfront of Hannibal, Missouri in the waters of the Mississippi River.

That’s it for this day. Tomorrow the National Transportation Museum in St. Louis.

Click here for Day 9 of the adventure with my Dad.

November 9, 2018 0 comment
0 FacebookTwitterPinterestLinkedinTumblrRedditStumbleuponEmail
Disneyland

Walt Distant’s Enchanted Beefy Room

by Mark Eades March 27, 2018

(Editor’s note: This is written as a satire, so Disney can’t sue me!)

As we enter the corral of “West Distant’s Enchanted Beefy Room,” we are surrounded by the ghosts of the Old West as they appear in their Cactus form.

While waiting here, we’re invited to purchase one of Old Dole’s whips, made from real cowhide leather. Not much to drink here except for water from the trough, filled with a bucket from a nearby well. A bit uncomfortable too, as we have to get down on our knees and lap it up just like a horse or a cow.

The building appears to be an old barn. The corral is all dirt, just like found at any ranch. Mixed in with the dirt are bits of hay, horse apples and cow manure, leaving us with the delicate aroma normally found here.

A voice can be heard from one of the cactus plants that looks like an Old West cowboy.

“My name is Shadow, cowboys call me the shorty one. I am scorched from the sun and haven’t a clue what time it is. I’m so short I don’t have a shadow at all, so cowboys can’t get a clue as to what the time of day is.”

A voice pops up from another cactus shaped liked a donkey.

“Howdy partner, I am an ass. I don’t dance, I don’t move, but I’m part Agave, so if you drink my nectar after it is made into Tequila, I might give you a head ache! Just like the one I got from closing down the bar last night.”

A large withered-old cactus speaks up.

“Me Mongo. No one good to me. Me once star in movie. My thorns so dull, animals use me for a clawing post. Now just old and no longer cactus in game of desert.”

A large Saguaro suddenly speaks.

“I am Hot Mama. I’m the babe of this here garden. I like to tease my husband, Tiny Papa.”

A small cactus next to the large Saguaro starts shaking.

“Yes, she does, but I like it, even when she’s sticking it to me.”

The hay bale hanging from the loft starts to sway, as the old windmill starts to turn – even though there is no wind at all. The windmill speaks.

“I am windmill, without me there would be no water in this dry forsaken place.”

The Hay Bale speaks.

“Without water, there would be no hay, then no ranch, no corral. That wouldn’t bother me at all, I’m tired of hangin’ around up here. I think I’ll fall down on all the folks standing around in the corral.”

A cowboy comes out from inside the barn, firing his six-gun into the air.

“Okay, that’s the last straw Hay Bale, there’s been enough complainin’ out here in the corral. Time for me to round up these folks and git them on into the barn for the show.”

No automatic doors here, the cowboy has to swing open the barn doors, which creak due to the lack of grease in these here parts.

“Cowboys and cowgirls! Come on in for a rootin’ tootin’ show of fun western and prairie songs in West Distant’s Enchanted Beefy Room!”

As people enter the barn, they’re directed to sit on a variety of saddles, hitching posts or the floor. Most would rather stand then sit on the dirt floor where there is a mixture of, well you know…

Above everyone, in the darkened rafters of the barn, can be seen some distinct shadows of what appear to be cows.

The room lights dim, one light is shined onto the floor, the cowboy cracks a whip as he steps into the pool of light.

“Yee haw, cowboys and cowgirls. Are y’all ready for a really moovin’ show?”

He looks around the room, expecting a response. Getting none, he cracks the whip again.

“I said YEE HAW! Y’all ready for a rootin’ tootin’ udderly moovin’ show?”

Everyone yells “Yee haw,” aided by the sound system recording of a western crowd saying, “Yee haw!”

“Well let’s get this rodeo started. I don’t want to start a stampede for the door, so let me quietly wake up Josie.”

The cowboy cracks his whip up in the air on one side of the room. Snoring, that almost sounds like mooing, is heard.

The cowboy gets out his six-gun, fires it and cracks the whip again.

“Get along there Josie, it’s show time!”

A light is shined on a bull sitting in a saddle swing above the audience. He slowly opens her eyes, stretching her hooves and looks around.

“You’re not Josie. Where’d she go Ralph?” asks the cowboy.

In a distinct Brooklyn voice, he responds, “She’s out on the range. What are you bothering me for, Pardner? Can’t you see I’m sleepin’?”

The cowboy responds, “These here city folks came for a show. Looks like you’re gonna have to do it.”

“Hey, I’m sleeping here,” Ralph says in his New York accent. “I’m going back to sleep.” He starts to close eyes. The cowboy draws his gun and aims it at Ralph.

“Don’t make me come up there and send you out with the herd, get a move on ya little dogie,” says the cowboy.

“Who you calling dogie, you’re not even a real cowboy!” says Ralph.

“And you’re not a real bull, you’re a robot” says the cowboy.

Ralph snorts.

“Now get moovin with the show,” says the cowboy.

“All right, all right,” says Ralph as he looks around at the audience.

“Look at all the people staring at me, they must know a handsome bull when they see one.”

“Ralph, the show?” says the cowboy.

“Yeah, yeah, yeah. Howdy pardners, welcome to West Distant’s Enchanted Beefy Barn. Who the heck came up with that name?”

“Ralph.”

“Well it’s corny. Okay, let’s rustle up the others. Hey Sigfried, wake your tired leather encased body up, we gotta put on a show!”

Sigfried yawns and stretches. “Whoa, good thing I woke up. Look out below folks.”

There is the sound of a fart. The cowboy cracks his whip.

“False alarm,” says Sigfried. “Okay, okay, I’m moovin. Hey Dingus, stop chewin’ that cud and let’s get goin.”

Dingus chomps on his cud, then stops as the light shines on him. “Hold on a second.” He swallows his cud. “I wish I’d already swallowed that cud. Hey! There’s supposed to be four of us, where the heck is Jubal?”

The sound of a barn door opening and closing can be heard, along with a loud “Moo!” and what sounds like bull hoofs walking into one of the stalls.

A young male voice responds. “He’s sleeping off yesterday’s stampede, so I’m covering for him.”

Ralph snorts and says, “Who are you?”

The young bull says, “I’m Yippee, the intern.”

All the other bulls snort in derision.

Ralph says, “This is a lot of bull.”

Sigfried says, “Be careful folks, we’re stepping in it now.”

Dingus says, “Come on guys, give him a chance. There’s people watchin.’”

Sigfried says, “Isn’t he your nephew?”

Dingus says, “My son, one of 30.”

Ralph says, “Now who’s bragging?”

The cowboy stomps in, “Hey, let’s get a moovin with the show!”

Ralph says, “All right, all right. Let’s round up the rest of the herd. MOOO!”

Lights come on around the barn, highlighting a variety of western critters. In several stalls are a variety of horses. Some sheep are in another pen, and a billy goat stands atop a barrel. There are a couple of raccoons, startled, as they were caught dipping their hands into a barrel of feed. Some owls hoot up in the rafters, and in large vases attached to posts out pop the heads of some rattling rattlers.

Ralph yells out, “Yee haw, hit it!”

Everyone starts singing.

“In the beefy, beefy, beefy, beefy, beefy room, in the beefy, beefy, beefy, beefy, beefy room.”

Ralph sings, “All the bulls will yodel,”

Sigfried sings, “And the horses will neigh!”

Everyone, “In the beefy, beefy, beefy, beefy, beefy room.”

Ralph sings, “Welcome into our smelly old barn, you stupid city folk you. If we weren’t inside our smelly barn, we’d be out in the fields with them female cows.”

Dingus says, “Hey there’s a kid here.”

Zippy says, “I know what he’s talkin’ bout.”

Sigfried starts the chorus again.

“In the beefy, beefy, beefy, beefy, beefy room, in the beefy, beefy, beefy, beefy, beefy room.”

Ralph sings, “All the bulls will yodel,”

Sigfried sings, “And the horses will neigh!”

Everyone, “In the beefy, beefy, beefy, beefy, beefy room.”

Suddenly a triangle rings, interrupting the singing by the bulls. A large parrot appears in the hay loft.

The parrot says, “What the hell is going on in here? I thought I was flying north to be in a Tiki room review, somehow I ended up in this roundup – in a barn full of bull.”

Ralph says, “That’s bulls and we don’t take no manure.”

Everyone sings, “In the beefy, beefy, beefy, beefy, beefy barn.”

The music ends with a flourish.

“Now I’ve heard it all,” says the parrot. “Watch out for the Tiki gods,” he says as he flies back out.

“Tiki gods?” asks Zippy.

“Wrong show,” says Dingus.

“Time to bring in the girls!” says Ralph.

All the bulls moo together.

“Let’s herd them in here,” says Sigfried.

“We can’t,” says Ralph. “They have to come in from above.”

The ceiling opens up.

“I sure hope that’s a big crane,” says Dingus.

“Oh yes,” says Zippy. “I calculated the weight of the cows, added in a 20 percent factor for udder stuff. We should be safe.”

A large chandelier structure with several female sheep on it lowers into the center of the barn.

“What happened to the cows?” asks Ralph.

“They were too heavy, so I asked the Ewes to sub in,”

“Sheep,” says Dingus with disgust.

“Yeah, well baa to you too,” says one of the sheep.

“We don’t mean to bleat in on your show, but we wanted to pull the wool over your eyes,” says another sheep.

“Where’s a sheep dog when you need one?” asks Sigfried.

There’s a bark from a dog house in the corner, followed by a snore…

“I guess we’re stuck with them, hit it girls,” says Ralph.

The sheep start singing.

“Let’s all yodel like cowboys do. Baa, baa, baa, baa, baa, baa.”

“Hold it,” says Dingus. “That’s not yodeling, did you lose your way?”

“Baa, baa, baa,” sing the ewes.

“That sounds like a boy band,” says Sigfried.

The girls continue…

“Let’s all yodel like cowboys do.”

The sheep dog sticks its head out of the doghouse. “Howl, howl, howl, howl, howl, howl!”

The Parrot flies back in.

“What the hell is all that racket?”

Zippy pipes up, “Well we had to put sheep on the thing in the middle as the cows were udderly too heavy, and they’re not singing the yodeling the right way. Then the sheep dog tried to help…”

“Yee gads, what a mess,” says the parrot.

“Are you talking about the song, or the floor of the barn?” asks Ralph.

“Both,” says the parrot.

“We can yodel if that’s what you want,” says one of the sheep.

“Yeah, we want to get paid too.”

“Paid?” asks Ralph.

“Yeah, I had to promise them we’d pay them to perform,” says Zippy.

Everyone stares at each other in awkward silence.

Sigfried pipes up, “I suppose we can give them some feed.”

“What are you trying to do, fleece us?” says one of the sheep.

Ralph sighs. “No. But since you’re here, go ahead and sing it the way you want.”

The sheep continue.

“Let’s all yodel like cowboys do. Baa, yodel, baa, yodel, baa yodel. Take your cue from the sheep, now you all do what you want. Baa, yodel, baa, yodel, baa, yodel.”

Suddenly some Tiki Gods up in a corner light up in anger and pound some drums.

“Hey, how’d we get some Tiki Gods in here,” asks Sigfried.

“I think they’re leftover from that Disney show,” says Ralph.

“Oh.”

The Tiki Gods start to chant. There is a clap of thunder, then the wind starts howling. A tumbleweed is seen tumbling across the prairie through the window.

All sing, “See them tumbling down….”

At that point it starts to rain outside, but the barn leaks and water comes down inside.

They change songs. “We’re singing in the rain. Just singing in the rain.”

The parrot flies in again.

“Flash flood coming!”

Water comes crashing through the door, carrying all the humans out with it.

“I guess that’s the show,” says Ralph.

“Yep,” says Sigfried.

“I wonder where the people went?” asks Dingus.

“Let’s get out of here and find us a few of them cows!” says Ralph. All the lights go dark.

 

THE END

March 27, 2018 0 comment
0 FacebookTwitterPinterestLinkedinTumblrRedditStumbleuponEmail
Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.
DisneyDisneylandDisneyland Alumni Clubtheme parks

Caretaker of Walt Disney’s Family Film Legacy

by Mark Eades July 22, 2014
Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.

Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.

If you’re a fan of the Walt Disney Family Museum and all the great videos featuring Walt Disney and his family on display there, then you have Scott Zone to thank for how great they look—and it all started in 1995.

At that time, Scott was working at Orion as a colorist in video post-production when he was recommended to the Disney family for a very special project. “Diane and Ron Miller wanted all of Walt Disney’s home movies transferred to video, color corrected and restored,” Scott said.

So Scott was engaged to make that dream a reality, involving many reels of film. He restored the quality and color as best he could, using the technology available at the time. Walter Miller, Walt Disney’s grandson and co-founder of the museum, would come in each week to review the progress and view all the imagery.

Scott Zone, the conservator and archivist of the Disney family home movies, stands with Diane Disney Miller, the only natural daughter of Walt and Lillian Disney, outside the Walt Disney Family Museum while it was under construction. Photo used by permission from Miller family and Scott Zone.

Scott Zone, the conservator and archivist of the Disney family home movies, stands with Diane Disney Miller, the only natural daughter of Walt and Lillian Disney, outside the Walt Disney Family Museum while it was under construction. Photo used by permission from Miller family and Scott Zone.

When all the movies had been transferred Walt’s daughter, Diane Disney Miller, came in and sat with Scott to look at them, movies that featured her, her father and mother, her sister, and many other friends and family members.

“Diane started narrating them live. I wish I had had a recorder at the time. It was fascinating to hear her talking about what we were seeing on the monitor as if we were there,” said Scott. Scott transcribed much of the imagery and cataloged it for the family, and then he was done. The films were returned to a refrigerated vault in Hollywood.

Then a decision was made to produce a film using much of that footage in a 2001 documentary called, “Walt: The Man Behind the Myth,” directed by Jean-Pierre Isbouts, working with the family members. Scott became the liaison for the family with the filmmakers as they went through all the hours of footage for use in the film.

One large roll of home movies of Walt Disney and family.

One large roll of home movies of Walt Disney and family.

But Scott was soon going to be involved in much, much more when Diane tapped him to help out with the planned museum dedicated to telling her father’s story. In 2005, he got a call from Walter telling him about the concept. The initial thinking, Walter told him, was to use the home movies throughout. “Since technology had changed, I suggested re-transferring everything to HD (High Definition Video). So we redid the whole library.”

Because of Scott’s intimate knowledge of the home movies, Walter invited him to participate in some of the concept and design discussions the family was having with other designers, some of whom were former Disney Imagineers such as Jeff Kurtti and Bruce Gordon.

Scott Zone works on transcribing Walt Disney's home movies. Copyright by Scott Zone, used by permission.

Scott Zone works on transcribing Walt Disney’s home movies. Copyright by Scott Zone, used by permission.

After the museum opened, Scott was retained to make a more detailed transcript of what was contained in the footage. He went through each frame trying to identify the people visible or the location where it was shot. Many times he would work directly with Diane to come up with the information on footage that had been shot 60 years or more ago.

“I really enjoyed working with Diane. She was a wonderful lady and wanted people to know the true story about her dad,” Scott said. (Editor’s note: Diane passed away in November, 2013 at the age of 79.)

Even now, Scott is occasionally called on to put together some of the material for museum events. In 2011, the Disney grandchildren born during Walt’s lifetime participated in an event called, “Our Grandpa, Walt Disney.” For this project, Walter asked Scott to edit a video using the home movies that showed the grandkids with their famous grandfather.

Currently, Scott is working on a documentary about Walt Disney for PBS and also does speaking engagements for the museum. In addition, Scott works on projects for other clients as a colorist, archivist, author of Blu-Ray DVDs and more. Meanwhile, he is the steward of the legacy that is the home movies of one of the most creative people in United States history. “I want to make sure this important footage of this wonderful man is preserved forever.”

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Want to read articles about some other Disneyland Alumni? Click on the links below.

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

July 22, 2014 6 comments
0 FacebookTwitterPinterestLinkedinTumblrRedditStumbleuponEmail
Load More Posts
Subscribe to the Mark Eades Blog!

Recent Posts

  • A Visit to Irvine Regional Park
  • Stuff!
  • Are you really enjoying Disneyland so much?
  • Both Sides Now
  • Intolerance

Recent Comments

  • Thomas Linn on Both Sides Now
  • Roger Agness on Are you really enjoying Disneyland so much?
  • Did the original version of "Star Tours" predict how the Star Wars Saga would play out in "The Force Awakens" & "The Last Jedi" ? - Jim Hill Media on About
  • Do I have to cover this again? | Mark Eades Enterprises on Why am I Still With AOL?
  • Adventureland at Disneyland Paris | Mark Eades Enterprises on Discoveryland at Disneyland Paris

Archives

Categories

© 2019 Mark Eades Enterprises All Right Reserved.


Back To Top