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Knott's Berry Farmtheme parks

Where’d the Catawampus all go?

by Mark Eades July 18, 2018

At Knott’s Berry Farm in Ghost Town, near the stables and beneath the windmill stands an odd creature known as the Catawampus, or “Species Extinct.” Here is a link to Part 1 of my journey of discovery to learn more about this odd creature. Here is a link to Part 2 of my journey. Below is Part 3 of my journey, read on…

Professor Ananias had found the old Prospector, and was learning more about the habits of the Catawampus that day and night. He did a drawing of one of the ones he saw that evening around the old Prospector’s camp.

It is indeed a strange looking creature. I’m not sure it is real to this day – but the Professor claimed it was, but all he could do was a drawing as he did not have a still camera with him, as they were very expensive back then.

This rough coal sketch of a Catawampus was created by Professor Ananias in 1881. Or so his (wink, wink) journal says.

This drawing was from his journal that I found the only copy of, so I kept reading…

September 21, 1881

I finished my sketch of one of the creatures and noticed that the herd had stopped moving. They were also getting harder to see as the old Prospector’s fire was dying down and the moon was disappearing under some clouds.

“You better get inside your tent and tie it shut, feels like a storm’s comin,” said the old Prospector.

I pointed out towards the Catawampus herd, “Why aren’t they moving around?”

The Prospector shrugged, “I think they do that so any coyotes coming by won’t know they’re alive, then they jump ‘em and get a meal.”

I just nodded, in slight disbelief. We both saw some lightning off in the distance. We both made sure our horses were secure in the Prospector’s makeshift stable, and I turned in, securely tying my tent flap.

The occasional lightning flash made it hard to sleep but I finally started dozing off when I was startled by a yelp. But it was pitch black and started to rain so stayed in my tent. I could hear some movement over where the herd was, they were in the dry wash.

The rain grew more intense, and I could hear the herd moving around – it sounded like they were moving away. Then I heard a roar of water rushing down the ravine, followed by more intense lightning and thunder and more rain. It was safer to stay in my tent on the higher ground.

Eventually the rain died down, and so did the sound of the rushing water – then it got strangely quiet. I peeked out the flap, but could not see a thing. I yawned and went back to sleep.

That morning, I woke up with a start, the horse was making some noise. I grabbed the sack of horse feed I had with me and went outside. The Prospector was at the stable, feeding his horse. I brought over my feed for my horse.

Looking around at the wash, all I could see was evidence of where the water had been, and a few small pools of water still standing – soon to be gone by the rising sun.

“Where’d they go?” I asked the Prospector.

He shrugged, “Probably run off thanks to that storm, or could have been washed downstream. But they got themselves a coyote last night.” He pointed at a carcass of a coyote, pretty much picked clean on the banks of the wash. Flies were already buzzing around the carcass.

While my horse ate its fill, I wandered down to the wash – there were no tracks of any kind.

“Thanks to that storm, you probly won’t find any tracks for them,” the Prospector said.

I nodded, but was determined to continue my journey and even try to trap one to bring back to the college. I packed up my things and thanked the Prospector.

“Good luck, they’re hard to find and can blend into any woods,” he said as I rode off.

Before going downstream, I went upstream and found that the flash flood had washed away the strange purple berry plant. The Catawampus would probably not be returning to this location any time soon. So I turned my horse around and we headed downstream.

November 1, 1881

I’ve spent the better part of a month looking for any sign of the Catawampus, but can find nothing. I hear stories once in a while, all of them pointing towards them heading up into the San Bernardino mountains.

December 20, 1881

It’s getting cold in these mountains, ice is on the ground and snow is at the higher altitudes. I’m running low on funds and have found no sign of the Catawampus at all, though have heard some talk about finding dead coyotes here and there.

As much as I hate to admit it, I must return home back east and report my findings for now. I hope my colleagues will trust what I have to say and not laugh me out of the college.

— Well that was the last entry of Professor Ananias’ journal from then. He was, indeed, ridiculed, for his findings. He left that college, and took up another trade, that of railroading – serving at first as a fireman, then an engineer on one of the narrow-gauge railroads that were servicing both the mining and the logging operations in the Rockies.

But he never gave up his quest, and after decades, in his senior years, came west to California again, after hearing rumors of a strange wooden creature somewhere near Barstow.

More in the next installment.

Editor’s note: This is part three of a multi-part series. Here is a link to Part 1. Here is a link to Part 2. Here is a link to Part 4. Here is a link to part 5.

July 18, 2018 0 comment
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Knott's Berry Farmtheme parks

Face to face with the Old Prospector and the Catawampus

by Mark Eades July 11, 2018

At Knott’s Berry Farm in Ghost Town, near the stables and beneath the windmill stands an odd creature known as the Catawampus, or “Species Extinct.” Here is a link to Part 1 of my journey of discovery to learn more about this odd creature. Below is Part 2 of my journey, read on…

I continued reading Professor Ananias’ journal. He entitled the next entry in his journal, “Meeting the old Prospector.”

Here is that entry: September 20, 1881 – I’ve been following the tracks of the old prospector’s mule and those beside it of holes spaced just like four-legged animals for a few days. They lead into a canyon. Cautiously, I urge my horse forward.

This Catawampus stands beneath the windmill in Ghost Town at Knott’s Berry Farm. Photo by Mark Eades.

As we moved further up into the canyon, I heard a lot of clicking noises, mixed with a variety of what sounded like cows mooing.

My horse tripped on a rock, making a neigh sound as it recovered. I stopped, and the noises I heard had stopped too.

We slowly set out again making little noise. Shortly, the clattering sound like wood sticks being clapped together started up again, along with the cows mooing, but it sounded like they were moving away from us, faster than we would ever catch up.

Rounding a bend, we saw a small campfire with coffee brewing next to it. On the ground could be seen many of the holes that looked like they were made by some strange animals. Then I spotted an old man, standing outside his tent at the ready with his shotgun.

“Ya scared them off,” the old, bearded man said.

“What was that?”

“Ya scared them away,” he said.

“What did we scare away?” I asked.

“The Catawampus.”

“The Catawampus?”

“Yep,” he said as he spit something out. “The Catawampus, they’re a little shy about bein’ seen.”

I nodded.

The old man beckoned me down off my horse.

“Ya want some coffee?”

“Why thank you,” I said.

The old man had probably not shaved in a couple years, and who knew when he had last bathed, as we were in a desert and water was hard to come by.

“I spect they went up the canyon to the spring, if it ain’t dried up yet,” he said as he poured me a cup of coffee. I tried a sip, it wasn’t bad – it had a hint of berry in the flavor that reminded me of the blackberries back home, causing me to smile.

“Like that coffee?”

“As a matter of fact, I do, there’s a hint of some kind of berry, like blackberry.”

“It tain’t black berry. I found a few of these big purple berries, ne’er seen ‘em before. But them critters seem to like the leaves of the bushes they grow on. There’s a few up at the spring. But if the water’s dry, they’ll probably die off,” he said.

The boysenberry vines at Knott’s Berry Farm. The Catawampus reportedly likes the leaves of the Boysenberry Vine. Photo by Mark Eades.

Then he offered his hand, “My name’s Dusty Mule, some call me crazy, and I know some refer to me as the ‘Old Prospector,’ but Dusty’ll do.”

“A pleasure to meet you, Dusty,” I said as I shook his purple-stained hand. “I’m Professor Aranias.”

“You’re kinda young to be a professor.”

“I graduated from college at the age of 16 and got my masters at 17.

“Why’d ya come out here?

“This is research for my doctoral thesis for a small college back east. I study and research new animals not really documented by scientists.”

“Well ya come to the right place. These little fellows took a liking to me, probably cause I like them purple berries and don’t touch the leaves.”

“May I ask why you call them Catawampus?”

“I dunno. Maybe cuz they’re a little Catawampus from any regular animal I’ve ever seen.”

“I’d like to see them and study them.”

Well, I think they’ll be back, they’re a little shy about bein’ seen by strangers. But I don’t think they’re gonna stick around this area much longer.”

“Why is that?”

“Cuz that purple berry plant don’t look like it’s gonna last much longer – so I spect they’ll start out across the desert to find more of them or something else they want to eat.”

“What do they look like?”

“Well, you probly won’t believe me, but they look like a bunch of bare sticks put together, with a small barrel for a heard, two horns that face down, and some hair that looks like dried grass.”

“You’re right, I don’t believe you.”

“Well that’s the truth. You want more?”

I rolled my eyes and then nodded, “Sure, why not.” I made like I was writing all this down when, in fact, I was not.

“Well they have a mighty strange appetite. Besides the leaves of these plants with the purple berries, they eat coyotes.”

I didn’t know whether to believe him or not, but I had seen a few remains of eaten coyotes on my trek out to his campsite.

As it was getting dark, the Old Prospector served me up a homemade cobbler with some of that purple fruit. I will say, for a grizzled old man, he sure knew how to make a good cobbler.

As we stared at the fire, we heard a coyote yell, that was cut off suddenly.

“They got another one. Useful to keep the coyotes away,” Dusty said.

I just nodded. He went on.

“There used to be as many Catawampus as there were buffalo in the old west, but with more and more humans, their numbers have gone down as humans have scared them away. Farmers keep them away from their crops cause they think they eat their crops, but that’s the crows and other critters.”

“Do you think they’ll come back by your camp tomorrow?”

“I think they’ll come by tonight, now hold real still and turn around slow. There’s a few of them right behind you.”

I slowly turned and what I saw was, well, strange and weird, and exactly as described. I tried to count how many, but could see how many there were in the campfire lit darkness.

“That’s all the closer they’ll get, they’re kinda wary of fire.”

After seeing them in person, I agreed with the Old Prospector. They looked like they were made of sticks and just as he’d described. To say I was surprised is an understatement. All I could do was stare and wish I’d had one of those still cameras. I slowly got out my drawing pad.

Editor’s note: This is part two of a multi-part series. Here is a link to Part 1. Here is a link to Part 3. Return to this site in a week for the next installment in the series.

July 11, 2018 0 comment
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Knott's Berry Farmtheme parks

What of the Catawampus?

by Mark Eades July 4, 2018

At Knott’s Berry Farm in Ghost Town, near the stables and beneath the windmill stands an odd creature known as the Catawampus, or “Species Extinct.” This is Part 1 of a multi-part story.

Now in the past it was thought that the adult Catawampus seen there was a male and was the last one – but now experts are beginning to wonder maybe it’s not that extinct, as now there is a young Catawampus right next to the adult at Knotts. Leading them to believe that maybe the Catawampus at the Farm was not male, but female. There’s no real way to tell even up close.

Or is it that the males take care of the young like some species?

And a second question: Since there is a young one does that mean there are more out there somewhere and they are starting to regrow their numbers like the buffalo?

I set out to find out more, and in my intense search for more information I found the lost journals of Professor Ananias who was, until his disappearance years ago into an abandoned mine in the town of Calico, the expert on the creature that looks like it is made of bare tree branches, known as a Catawampus, or “Species Extinct.”

Here is the first entry from Professor Ananias’ journal: “May 1, 1881 – I arrived at Calico, a new town that sprang up almost overnight due to a discovery of a massive vein of silver. But my interest was not in silver, gold or other such intrinsic things. Rather, I was more interested in the older prospectors’ stories of strange wooden creatures seen in the desert areas. I hope to find one or two of them willing to talk to me. I suspect I will be purchasing them a beverage at the local saloon to loosen their tongues. Secondhand reports indicate that upon sightings of the creatures they were apparently startled into silence. It makes me wonder what it was they saw that could have frightened them so.”

A Catawampus and its offspring live in Ghost Town at Knott’s Berry Farm

Apparently, the Professor did not find anyone who would talk for some time as his next few entries were simple ones: “June 30, 1881 – Still searching for anyone who will talk to me about this strange creature, though I did find out they were calling it a ‘Catawampus.’ I’m not sure if that is its real name, or just one they have called it. It appears to be a name based on something gone askew. Or maybe they spotted it after walking across an area in a strange manner, or maybe the creature travels in a strange manner.”

Then a few months later, the Professor stumbled across someone who would talk: “September 14, 1881 – I decided to roam around the hills in search of an old prospector named Dusty Mule, after Goldie told me she had heard him talk of the creature during one of his visits to her establishment. No one seemed to know where he was located. But I persevered.

I happened to see a lone strand of mule tracks going into the hills one evening and started to follow them, but it was getting dark and there was no moon. So, I stopped and made camp near a small clump of cacti. As the darkness took hold, I heard the sounds of the night in this forsaken wilderness – that of the coyote mixed in with the sounds of cows mooing in the dark. I thought that the cows were giving away their position in the dark to the coyote. Then I heard one moo a little louder followed by the yelp of a coyote that sounded like it was caught in a trap – then a ghostly silence. No coyote or cows heard the rest of the night. I fell into an uneasy slumber.

Sometime later that night I thought I heard what sounded like the clatter of wooden sticks being clapped together outside my tent where I had bedded down for the night. My horse did not seem to mind it at all. I was tired from not getting any sleep and ignored it. Pretty soon the wooden clapping sound moved away and I went back to sleep.”

A strange sound indeed per the Professor’s journal. What could make a sound like a cow, when there were no cows for miles around? I read on:

“The next morning, I arose and quietly poked my head outside the tent. My horse was still there, but when I looked down at the ground, I saw what appeared to be small holes in the ground. They appeared to be round, of various diameters ranging from less than one inch to nearly three inches. It seemed to me someone was playing tricks on me as the holes were spaced just like that of four-legged animals. They also paralleled the tracks of the old prospector’s mule into the hills. I resolved to follow them and packed up my tent, saddled my horse and set off.”

Editor’s note: This is part one of a multi-part series. For Part 2 click here. For Part 3, click here. 

July 4, 2018 0 comment
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Carl and Sue Casebeer met at Disneyland while both were working in Frontierland. Him on the Mark Twain, her at the Golden Horseshoe.
DisneyDisneylandDisneyland Alumni Clubtheme parks

A Marriage Made in Frontierland

by Mark Eades August 11, 2014

Carl Casebeer’s Disneyland story started the same day the park opened, on July 17, 1955. No, he wasn’t one of the first cast members. He was a second grader at a local school in Anaheim. His class and many others were invited to the park for opening day. So they boarded buses and were off on an adventure into this new place on Harbor Boulevard. “I spent the whole time in Fantasyland. We were not allowed to go to the other lands,” Carl said.

Carl Casebeer in one of the Adverntureland costumes from the late 1960s.

Carl Casebeer in one of the Adverntureland costumes from the late 1960s.

The memory of that opening day stuck with him so much that when he turned 18 and was finishing up at Anaheim High School, he applied for and got a job at Disneyland, starting with cracking jokes as a skipper on the world famous Jungle Cruise in 1965. Two years later, he was part of the opening crew for Pirates of the Caribbean.

“I really enjoyed working on Pirates,” Carl said, admitting to occasionally joining fellow cast members in pulling a prank on park guests. “We would go out into the ride and stand there like we were one of the Audio-Animatronics pirates. The Tour Guides knew who we were and would point us out,” he said. Somehow, they didn’t get in trouble for that

It was a different story while working on the Mine Train Through Nature’s Wonderland. “I got my only reprimand there when I derailed a train once because I threw the switch at the wrong time.” (No one was hurt in the incident.)

Eventually, he worked on every attraction in Adventureland and Frontierland, including stints as foreman on both shooting galleries. One day, while working at the Adventureland Shooting Gallery, Walt Disney brought his grandson over to shoot. “I didn’t get money or a C coupon from him, so I was short that night.”

A few years later, while working as foreman of the Mark Twain and Columbia Sailing Ship, his sharp eyes saw something he liked. “I spotted a beautiful girl at the entrance to the Golden Horseshoe Review. She had a short dress on and cut an attractive figure. I kept seeing her over there, so I asked the Horseshoe’s foreman about her availability. Turned out she was not taken, so I asked her out.”

Sue (Anderson) Casebeer in her Golden Horseshoe waitress costume.

Sue (Anderson) Casebeer in her Golden Horseshoe waitress costume.

That girl was Sue Anderson, who had gotten the job after showing off her legs.

“They made me stand up and show them my legs when I was being hired to see if I could work at the Golden Horseshow,” she said. (At the time, the costumes for female food hostesses at the Horseshoe were short skirts.)

Working at the Horseshoe could be a challenge. “One time I dropped a whole tray of cups filled with Pepsi on a guest,” Sue recalled. Another time while cleaning up on the upper level after a show, Sue says she found somewhat startling evidence that a couple up there had been doing more than just watching the show.

Carl and Sue’s first date was at a small employee party held in Frontierland. “I knew she was a good catch when she let me finish her steak on that date,” Carl said. They kept dating and Sue kept waiting tables at the Horseshoe. She eventually left to work as a flight attendant at Western Airlines but that lasted less than a year, as they married on August 22, 1970. “I was always on call, and I was getting married and they (the airlines) discouraged it (marriage) at that time,” she said.

Carl stayed at Disneyland and went on to become an assistant supervisor for Attractions in Tomorrowland. In 1974, he left Disneyland to become a Fotomat manager and eventually went into pharmaceutical sales—a career that lasted 30 years until 2010.

For many years, Sue created homemade ceramic souvenirs, some of which (ceramic chess sets) were even sold at Disneyland. She now makes sculptural jewelry that she and Carl sell at art shows in Oregon, where they have lived for years. Samples of her current work can be found at thegreengypsy.vpweb.com.

Carl and Sue Casebeer and family at Disneyland for a reunion on the occasion of their 44th anniversary during the summer of 2014.

Carl and Sue Casebeer and family at Disneyland for a reunion on the occasion of their 44th anniversary during the summer of 2014.

Sue made enough money from her jewelry sales to pay for a special trip to Disneyland this year (2014) for their 44th anniversary—a trip that featured a reunion with most of their extended family, including three children and six grandchildren, inside Walt Disney’s original Magic Kingdom. Of course, they had to take the whole family on The Jungle Cruise, where they all tried to get Carl to do his old spiel, but he claimed the attraction had changed too much. “We had a fantastic skipper on the ride. Even our five-year-old grandchild, William, liked it,” Carl said.

Carl and Sue Casebeer met at Disneyland while both were working in Frontierland. Him on the Mark Twain, her at the Golden Horseshoe.

Carl and Sue Casebeer met at Disneyland while both were working in Frontierland. Him on the Mark Twain, her at the Golden Horseshoe.

The couple is already planning a Disney family reunion for their 50th anniversary in 2020. “We’re going to try and get everyone to Disney’s Aulani Resort in Hawaii,” Sue said. For the Casebeers, it’s been a truly Disney life.

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Here’s some previous stories about Disneyland Alumni:

Former Cast Member Remakes Heavenly Music

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

Caretaker of Walt Disney’s Family Film Legacy

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

August 11, 2014 0 comment
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Bill Reyes, an aficionado, digitally recreated the music heard in the heaven caverns room inside the Calico Mine Train Ride at Knott's Berry Farm.
DisneyDisneylandDisneyland Alumni ClubKnott's Berry FarmRailroadssteam locomotivestheme parkstrains

Former Cast Member Remakes Heavenly Music

by Mark Eades August 4, 2014
Bill Reyes, a theme park afficianado and Disneyland Alumni, digitally recreated the music heard in the heaven caverns room inside the Calico Mine Train Ride at Knott's Berry Farm.

Bill Reyes, a theme park aficionado and Disneyland Alumni, digitally recreated the music heard in the heaven caverns room inside the Calico Mine Train Ride at Knott’s Berry Farm.

Music, trains, and theme parks are passions of Bill Reyes, and he’s found a way to work all three into his life. Unusually enough, it began when Bill’s dad learned his young son preferred music to sports—and rather than lose heart at not having a future athlete in the family, he encouraged Bill’s love of music.

Bill’s dad gave him records by Duke Ellington, Buddy Rich, and Count Basie, sparking his first musical love—drums and percussion instruments. Bill learned to play and kept playing for many years.

“Once I hit high school, the band director there introduced me to various other instruments including all the horns and reed instruments,” Bill said. His music passions grew to include guitar, keyboards, and more, eventually recording and producing music in his own studio at his house.

But music was not always a good source of income for a person with a family, so Bill turned his hands to educational design—producing training and educational materials and programs for a variety of companies. Even while working at his day job, he still finds time for his first musical love. “I can play all night long live on drums and percussions.”

After music came trains. Bill’s childhood passion for trains was fired up by frequent trips to Knott’s Berry Farm. Back then going to Knott’s was a free place for the La Mirada family to go. “The steam engine, number 41, scared me as a kid, but I was fascinated by it,” Bill said. “I went and got books on trains and researched them a lot.”

Bill saved up so he could buy a ticket and ride not just the big steam train but also the Calico Mine Train Ride, where he heard the organ music—a piece called “Going to Heaven”—in the Cavern Room at the top of the big lift halfway through the ride. “The sound of that organ music in that room was wonderful,” he said.

Bill’s fascination with trains continued as the family began making annual August trips to Disneyland for his brother’s birthday. “I knew the first thing I’d see and smell when I got there were the trains.” Bill said it took a few trips for him to figure out there was more than one train at Disneyland, but once he realized that fact, he continued his diligent research. When he found out about Walt Disney’s affinity for steam trains and even his ownership of a scale model live steam engine, Bill began to dream about maybe working someday at Disneyland—on the steam trains, of course. “I love trains. I don’t really own any,” Bill admits, “but I love them.”

Bill’s Disneyland dream had to be tabled awhile as he worked on raising his family. Then one Sunday, just a few years ago, Bill and his son went to Traveltown in Los Angeles. They also went next door to the Los Angeles Live Steamers, and discovered Walt Disney’s Barn. During that visit, Bill met Michael Broggie, son of Disney Legend Roger Broggie and one of the members of the Carolwood Foundation, which maintains the Barn at the location. In 2009, Bill became a volunteer docent for Walt’s Barn.

Eventually, Bill joined the Carolwood Foundation and became a member of its board of directors. Now he can be found there on the third Sunday of each month, dressed in a conductor’s uniform, answering visitors’ questions.

When the last recession hit the U.S. economy, it pounded both Bill’s lines of work—hard. That’s when he applied to work at Disneyland. “I figured what the heck,” he said.

In 2011, Bill was offered a position as a Disneyland Attractions Host. After going through orientation with the Disney University, he was soon working on the west side of the park. Before long, Bill began getting calls for work back in his field, forcing him to resign his position after a few months. “I loved working at Disneyland, but there weren’t enough hours to support my family,” Bill admitted.

Meanwhile, he paid a few more visits to Knott’s Berry Farm and rode the Calico Mine Train Ride, where he found that the wonderful organ music in the Cavern Room had become less than heavenly over the years. “It sounded like it had been edited, and was very weak.”

Bill Reyes (right) is pictured with Bud Hurlbut, designer of the Calico Mine Train Ride and the Timber Moutain Log Ride at Knott's Berry Farm. Used by permission.

Bill Reyes (right) is pictured with Bud Hurlbut, designer of the Calico Mine Train Ride and the Timber Moutain Log Ride at Knott’s Berry Farm. Used by permission.

Bill decided it needed improving, so he paid a visit to his friend Lonnie Lloyd, who was shop foreman for the legendary ride designer Bud Hurlbut. (Bud had designed and built the Calico Mine Train Ride. Walt Disney admired Bud’s ride designs and met with him several times.) Even though Bud had passed away, Bill was able to get a copy of the original sheet music for the Caverns Room from Lonnie and set about recreating it from scratch. “I am not an organist,” Bill said. “I’m more of a technician. But I wanted to do it as a tribute to Bud.”

The original organ music had been recorded more than 50 years before on a real organ. While Bill did not have access to the original, he did have a scratchy copy of it and started working on a new recording. Because he was not an organist, Bill took more of a technical approach, recording digital samples of organ music and matching them to the sheet music on his computer. It took several months of finding and getting organ samples, plugging them in, listening, and adjusting before he finally got it finished. “I played it for Lonnie and he thought it was a new recording of the original.”

Bill’s work didn’t end there. When he heard that Knott’s Berry Farm was going to completely refurbish the ride, he wanted them to have the new recording and offered it to them gratis.

When the refurbished ride—with an all new sound system and more—debuted in June 2014, the organ music heard in the Cavern Room of the Calico Mine Train Ride is what Bill had produced, and he did it in line with all of his passions: music, trains, and theme parks.

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Here’s some previous stories about Disneyland Alumni:

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

Caretaker of Walt Disney’s Family Film Legacy

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

 

August 4, 2014 1 comment
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Tim Strauch II on his first day as a Disneyland character. Here he is dressed as Br'er Fox. Used by permission.
animationCartoonsDisneyDisney California AdventureDisneylandDisneyland Alumni Clubtheme parks

A Real Disneyland Character

by Mark Eades July 29, 2014

Some teachers in school are real characters. In Tim Strauch II’s case, he was one—a Disneyland character that is.

Tim Strauch II on his first day as a Disneyland character. Here he is dressed as Br'er Fox. Used by permission.

Tim Strauch II on his first day as a Disneyland character. Here he is dressed as Br’er Fox. Used by permission.

Actually Tim, 44, played several Disneyland characters during his time as a Cast Member in the Entertainment Department from November 1996 to January 2001, including Pluto, Buzz Lightyear, Tweedle Dee and Tweedle Dum, Eeyore, Rafiki, Geppetto, C3P0 and his first one, Br’er Fox.

Tim got the performing bug from his father, who was a professional clown for parties and events while also working as a teacher by day. At the age of two, Tim first visited Disneyland. Even though he lived in the Sacramento, Tim loved Disneyland so much that as a Cub Scout he sold enough “Scout-a-rama” tickets to win a free trip to Disneyland four years in a row. He even told a cousin who went with him on one trip that one day he was going to work there.

Tim Strauch II is dressed as Pluto in this photo. On the left is his grandmother, on his right is his mother. Used by permission.

Tim Strauch II is dressed as Pluto in this photo. On the left is his grandmother, on his right is his mother. Used by permission.

In 1989, Tim submitted his first Disneyland application while attending junior college, planning to get a job there and finish his schooling at California State University, Fullerton. But that dream did not happen, so he went back home to Sacramento and attended California State University, Sacramento instead. After graduating with a degree in Communications, Media Production, he set off for Hollywood to find a career in show business.

Initially, Tim got a job in Six Flags Magic Mountain’s Character Department, while going on job interviews and auditioning for roles in television and films. Thanks to that experience, in 1996 he landed an audition to be a character at Disneyland.

“I’ve never felt more confident in an audition,” he said. He got the job and was made a Cast Member in Disneyland’s Entertainment Department. His first day as a Disneyland character on stage was his birthday in 1996, in the role of Br’er Fox.

Tim Strauch II is dressed as Pluto in this photo. Used by permission.

Tim Strauch II is dressed as Pluto in this photo. Used by permission.

Meanwhile, Tim continued to audition for acting roles or a position in television production, but that proved to be a struggle. “I knew it would be a hard field and I gave it my best. But I wasn’t as successful as I thought I could be,” said Tim.

Tim had done some teaching side by side with his dad, Tim Strauch, Sr. and decided it was fun, so he went back to school to get his teaching credential. He moved back up north, and started teaching at Community Outreach Academy Elementary School in McClellan, California, where he lives today with his wife of 14 years. As a teacher, he’s received a Teacher of the Month award handed out by the local ABC News affiliate, along with other honors.

Tim Strauch II is dressed as Eeyore, and is pictured with his father, Tim Strauch I. Used by permission.

Tim Strauch II is dressed as Eeyore, and is pictured with his father, Tim Strauch I. Used by permission.

But Disneyland is still in his heart and he fondly remembers his time in his many Disney character roles. “The experience is one that will never leave me,” he said. “I wear my Disneyland Entertainment ring everyday and I’m proud to say I worked there.”

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Want to read articles about some other Disneyland Alumni? Click on the links below.

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

Caretaker of Walt Disney’s Family Film Legacy

Tim Strauch II is getting ready to play C3P0 in a Disneyland nearby. Used by permission.

Tim Strauch II is getting ready to play C3P0 in a Disneyland nearby. Used by permission.

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

 

July 29, 2014 3 comments
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Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.
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Caretaker of Walt Disney’s Family Film Legacy

by Mark Eades July 22, 2014
Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.

Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.

If you’re a fan of the Walt Disney Family Museum and all the great videos featuring Walt Disney and his family on display there, then you have Scott Zone to thank for how great they look—and it all started in 1995.

At that time, Scott was working at Orion as a colorist in video post-production when he was recommended to the Disney family for a very special project. “Diane and Ron Miller wanted all of Walt Disney’s home movies transferred to video, color corrected and restored,” Scott said.

So Scott was engaged to make that dream a reality, involving many reels of film. He restored the quality and color as best he could, using the technology available at the time. Walter Miller, Walt Disney’s grandson and co-founder of the museum, would come in each week to review the progress and view all the imagery.

Scott Zone, the conservator and archivist of the Disney family home movies, stands with Diane Disney Miller, the only natural daughter of Walt and Lillian Disney, outside the Walt Disney Family Museum while it was under construction. Photo used by permission from Miller family and Scott Zone.

Scott Zone, the conservator and archivist of the Disney family home movies, stands with Diane Disney Miller, the only natural daughter of Walt and Lillian Disney, outside the Walt Disney Family Museum while it was under construction. Photo used by permission from Miller family and Scott Zone.

When all the movies had been transferred Walt’s daughter, Diane Disney Miller, came in and sat with Scott to look at them, movies that featured her, her father and mother, her sister, and many other friends and family members.

“Diane started narrating them live. I wish I had had a recorder at the time. It was fascinating to hear her talking about what we were seeing on the monitor as if we were there,” said Scott. Scott transcribed much of the imagery and cataloged it for the family, and then he was done. The films were returned to a refrigerated vault in Hollywood.

Then a decision was made to produce a film using much of that footage in a 2001 documentary called, “Walt: The Man Behind the Myth,” directed by Jean-Pierre Isbouts, working with the family members. Scott became the liaison for the family with the filmmakers as they went through all the hours of footage for use in the film.

One large roll of home movies of Walt Disney and family.

One large roll of home movies of Walt Disney and family.

But Scott was soon going to be involved in much, much more when Diane tapped him to help out with the planned museum dedicated to telling her father’s story. In 2005, he got a call from Walter telling him about the concept. The initial thinking, Walter told him, was to use the home movies throughout. “Since technology had changed, I suggested re-transferring everything to HD (High Definition Video). So we redid the whole library.”

Because of Scott’s intimate knowledge of the home movies, Walter invited him to participate in some of the concept and design discussions the family was having with other designers, some of whom were former Disney Imagineers such as Jeff Kurtti and Bruce Gordon.

Scott Zone works on transcribing Walt Disney's home movies. Copyright by Scott Zone, used by permission.

Scott Zone works on transcribing Walt Disney’s home movies. Copyright by Scott Zone, used by permission.

After the museum opened, Scott was retained to make a more detailed transcript of what was contained in the footage. He went through each frame trying to identify the people visible or the location where it was shot. Many times he would work directly with Diane to come up with the information on footage that had been shot 60 years or more ago.

“I really enjoyed working with Diane. She was a wonderful lady and wanted people to know the true story about her dad,” Scott said. (Editor’s note: Diane passed away in November, 2013 at the age of 79.)

Even now, Scott is occasionally called on to put together some of the material for museum events. In 2011, the Disney grandchildren born during Walt’s lifetime participated in an event called, “Our Grandpa, Walt Disney.” For this project, Walter asked Scott to edit a video using the home movies that showed the grandkids with their famous grandfather.

Currently, Scott is working on a documentary about Walt Disney for PBS and also does speaking engagements for the museum. In addition, Scott works on projects for other clients as a colorist, archivist, author of Blu-Ray DVDs and more. Meanwhile, he is the steward of the legacy that is the home movies of one of the most creative people in United States history. “I want to make sure this important footage of this wonderful man is preserved forever.”

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Want to read articles about some other Disneyland Alumni? Click on the links below.

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

July 22, 2014 6 comments
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John Waite once worked as a Jungle Cruise skipper at Disneyland. This photo was taken in 1958.
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John Waite Loves Theme Parks!

by Mark Eades July 21, 2014
At one time in his Disneyland career, John Waite worked as an Attractions Host, though they were called Ride Operators in the early days, on the Matterhorn Bobsleds.

At one time in his Disneyland career, John Waite worked as an Attractions Host, though they were called Ride Operators in the early days, on the Matterhorn Bobsleds.

“I have always loved amusement parks,” John Waite told me. It’s a love affair that started when he was a kid growing up in Cleveland and stuck with him while studying theater at nearby Allegheny College—so much so that he worked at Euclid Beach Park (an amusement park on the southern shore of Lake Erie that opened in 1895 and closed in 1969) from 1947 until he graduated in 1951.

Near the end of his four-year stint in the Air Force (he was in the Intelligence field and cannot divulge exactly what he did!), John heard Walt Disney was building a theme park in California. “I told the family I was moving to California and was going to work for Walt Disney. I didn’t know what I’d do, I had no idea how the business worked out here,” he said.

He arrived in 1955 shortly after Disneyland opened. He took a temporary job at the post office for the Christmas season and sent his résumé to Walt Disney Productions. He got a call from the assistant personnel manager, who thought he knew John, but it turned out to be someone else with the same name. John got the job anyway.

“They had decided to hire college graduates into the Traffic Department,” John said.

The Traffic Department (where this article’s author also worked from 1979-80) delivered mail and messages around the studio lot. It was designed to give Studio personnel a chance to look people over and see where they might fit in, so for many it was the starting point of a Disney career.

John’s route was in the Animation Building, where he delivered mail to many future Disney legends, including to the office of the man himself—Walt Disney.

“My manager told me, ‘If you see Walt Disney, don’t say anything to him unless he says something to you.’ Well, my first day delivering mail I was walking down the hall and Walt was walking towards me, looking down at something with a scowl on his face. I just walked right by him. Then he whirled around and stopped, smiled and said, ‘Well, hello there.’”

John was soon transferred into Publicity when Card Walker—who would later become CEO of Walt Disney Productions—headed it up. John was put in charge of handling production stills. Often, John led tours of the lot for visitors, usually dignitaries or celebrities. This gave him the chance to peek inside some of the soundstages where Imagineers from WED Enterprises were doing mockups for future attractions at Disneyland.

John Waite, a Disneyland Alumni, worked in an office in the Opera House way before Great Moments with Mr. Lincoln showed up.

John Waite, a Disneyland Alumni, worked in an office in the Opera House way before Great Moments with Mr. Lincoln showed up.

While in the Studio’s publicity department he frequently worked with Van France, later the co-founder of the Disneyland Alumni Club, who was working in Disneyland’s personnel department organizing the training for new Cast Members.

When he learned that John really wanted to work at Disneyland, Van told him about the new Holidayland area they were creating for big corporate and other group events. The head of the studio’s personnel department thought John was making a mistake, but he still wanted to transfer to Disneyland and in 1957, John went to work for Van.

One of the first things he did was help put together the first event for Holidayland—an area in what is now New Orleans Square—for corporate and large events. The first event, a picnic for 5,000 people, featured a full meal, liquor, and a full slate of Disneyland entertainment, including the Disneyland Band, Indian dancers from the Indian Village (located in what is now Critter Country), Golden Horseshoe entertainers Betty Taylor and Wally Boag, and the Mickey Mouse Club. Attendees also got tickets into Disneyland. Despite all the entertainment and all the games set up, after everyone ate, no one stayed in the land. “They all went into the park to ride the rides,” John said.

John Waite, a Disneyland Alumni, is pictured with Chantel, a current day Tour Guide at Disneyland. John helped initiate and led tours on the first day they were offered in the early days of Disneyland.

John Waite, a Disneyland Alumni, is pictured with Chantel, a current day Tour Guide at Disneyland. John helped initiate and led tours on the first day they were offered in the early days of Disneyland.

Next Van volunteered John to help out with the first trial run of guided tours. They came up with spiels and costumes for a planned test run to see if people would like them, and more importantly, pay for them. “The first day they offered the guided tours, 90% of the gate paid for them. We were supposed to have 15 people in a group; we ended up having to have 50 people in a group,” John said.

Thanks to Van, John was also called upon to play Mickey Mouse out in the park at times. “They didn’t have a character department at the time. They did parades and shows, but when dignitaries came and wanted photos with Mickey and Minnie, they needed someone, I was one of the ones elected.” John also played Mickey Mouse at one of the first Disney nights at the Hollywood Bowl.

Van left Disneyland after a couple years to help Joe Fowler, another Disney legend, with Freedomland, a park Joe was building back east. John wasn’t happy when Van left, so he also left and went to work for UCLA’s Central Stage Management group, where they handled all the public events on campus. “My leaving Disneyland as a full-time employee was so sad.”

John Waite, a Disneyland Alumni, is pictured on the dock of the location of the Motorboat Cruise attraction. John worked the attraction in its first days of operation in the 50s.

John Waite, a Disneyland Alumni, is pictured on the dock of the location of the Motorboat Cruise attraction. John worked the attraction in its first days of operation in the 50s.

John worked at UCLA for 10 years, but during that time he worked summers at Disneyland on attractions like the Jungle Cruise, Matterhorn, and even a short stint on the Peoplemover. He did this until 1969. His heart was still with theme parks, and as John looked around for more opportunities, he found it in the new log flume technology being developed by Arrow Development for Six Flags. “I thought it would be great for Knott’s Berry Farm.”

John went to Six Flags Over Texas for several days to study the ride, then, while still at UCLA, developed a log flume concept that he planned to pitch to Knott’s. “It was a log ride concept, with a hydro-mining theme.”

John wrote to Walter Knott saying he had a ride proposal. A few days later Russell Knott, Walter’s son, called and asked John to come in for a meeting. “We met, and he told me that they didn’t do the designing of rides at Knott’s. He knew they were working on a log ride with Bud Hurlbut, but didn’t say anything.”

(Editor’s note: Bud Hurlbut is a legend in the theme park business. His ideas and attractions even influenced Walt Disney, who spent several days studying the Calico Mine Train Ride and in Bud’s shop, which was located just north of Knott’s Berry Farm.)

Russell set up an appointment for John with Bud, who designed many of Knott’s Berry Farm’s rides. John showed Bud his idea. “Bud laughed and said he wanted to show me something. He took me into his shop and showed me the models of the log ride he was building for Knott’s. I had to laugh too, but then I asked him for a job.”

Bud wasn’t hiring at the time, but offered John a job as a skipper on the steamboat that plied the lagoon at Knott’s. But John really wanted to work on the log ride construction. So John resigned from UCLA after the 1969 commencement exercises and went to work for Bud. “I worked on some of the final preparations of the ride, sealing cracks and things like that.” John became one of the Timber Mountain Log Ride’s supervisors and worked on it, and for Bud, for many years.

John Waite once worked as a Jungle Cruise skipper at Disneyland. This photo was taken in 1958.

John Waite once worked as a Jungle Cruise skipper at Disneyland. This photo was taken in 1958.

Now retired, John still loves theme parks and their rides. At the age of 85 he has passes for Disneyland and Knott’s and can frequently be seen at both of the parks.

“I love the rides and the people that work there. It’s always nice to go, sometimes just to watch the people having a good time.”

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Want to read articles about some other Disneyland Alumni? Click on the links below.

Lifelong bonds formed working at Disneyland

Caretaker of Walt Disney’s Family Film Legacy

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

July 21, 2014 5 comments
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Knott's Berry Farmtheme parks

Knott’s Soak City opens for 2014

by Mark Eades May 16, 2014

knottssoakcity2The tide is in at Knott’s Soak City for the summer 2014 season.

The 13-acre waterpark will open for the 2014 summer season on weekends beginning Saturday, May 17th and every day starting Memorial Day weekend.

This season there will be a new feature at the waterpark. First up is a new complimentary Yoga class for its 2014 season pass holders.

The Yoga class will be held every Friday and Saturday morning from 8:45 – 9:45 a.m. and starts June 27th running through August 9th. The classes will take place on the grass near the newly painted Grammie Lagoon.

knottssoakcity3In addition, Knott’s Soak City, Gold and Platinum Season Passholders can enter the water park an hour and a half before the general public at 8:30 a.m. on Fridays and Saturdays beginning June 27th and runs through August 9th.

The waterpark will be open daily starting Memorial Day weekend through September 1st, then weekends through September 14th.

Regular admission to the park is $36, $26 for juniors (ages 3-11) and seniors (62 and over). Admission includes unlimited use of all water park rides and attractions. Kids under three-years-old are always free.

The Knott’s Soak City Season pass is currently priced at $66, or six payments of $11. Prices for the season pass will be increasing May 26th.

Guests can also purchase a Gold Season Pass which gives them admission to both Knott’s Soak City and Knott’s Berry Farm theme park. The Gold Season Pass costs $102 or six payments of $17, or less if a junior or senior.

All prices do not include any applicable fees or taxes.

knottssoakcity4Knott’s Soak City will also offer its guests an All Day Dining Plan. The Plan can be purchased on the day of their visit for just $29.99+tax and applicable fees. Every 90 minutes guests can dine again and enjoy a wide variety of entrées at Soak City’s Long Board Grill.

All tickets and passes can also be purchased online at soakcityoc.com, or knotts.com.
Operating hours may vary, and are subject to change. For the most up to date information visit the websites, or call 714-220-5200.

May 16, 2014 0 comment
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Two trains going in opposite directions meet at a bridge.
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All aboard for Fullerton Railroad Days 2014

by Mark Eades May 5, 2014

Railroad fans of all ages descended on the Fullerton Transportation Center for Fullerton Railroad Days.

You can click here to check out the photos.

May 5, 2014 0 comment
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