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Bill Reyes, an aficionado, digitally recreated the music heard in the heaven caverns room inside the Calico Mine Train Ride at Knott's Berry Farm.
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Former Cast Member Remakes Heavenly Music

by Mark Eades August 4, 2014
Bill Reyes, a theme park afficianado and Disneyland Alumni, digitally recreated the music heard in the heaven caverns room inside the Calico Mine Train Ride at Knott's Berry Farm.

Bill Reyes, a theme park aficionado and Disneyland Alumni, digitally recreated the music heard in the heaven caverns room inside the Calico Mine Train Ride at Knott’s Berry Farm.

Music, trains, and theme parks are passions of Bill Reyes, and he’s found a way to work all three into his life. Unusually enough, it began when Bill’s dad learned his young son preferred music to sports—and rather than lose heart at not having a future athlete in the family, he encouraged Bill’s love of music.

Bill’s dad gave him records by Duke Ellington, Buddy Rich, and Count Basie, sparking his first musical love—drums and percussion instruments. Bill learned to play and kept playing for many years.

“Once I hit high school, the band director there introduced me to various other instruments including all the horns and reed instruments,” Bill said. His music passions grew to include guitar, keyboards, and more, eventually recording and producing music in his own studio at his house.

But music was not always a good source of income for a person with a family, so Bill turned his hands to educational design—producing training and educational materials and programs for a variety of companies. Even while working at his day job, he still finds time for his first musical love. “I can play all night long live on drums and percussions.”

After music came trains. Bill’s childhood passion for trains was fired up by frequent trips to Knott’s Berry Farm. Back then going to Knott’s was a free place for the La Mirada family to go. “The steam engine, number 41, scared me as a kid, but I was fascinated by it,” Bill said. “I went and got books on trains and researched them a lot.”

Bill saved up so he could buy a ticket and ride not just the big steam train but also the Calico Mine Train Ride, where he heard the organ music—a piece called “Going to Heaven”—in the Cavern Room at the top of the big lift halfway through the ride. “The sound of that organ music in that room was wonderful,” he said.

Bill’s fascination with trains continued as the family began making annual August trips to Disneyland for his brother’s birthday. “I knew the first thing I’d see and smell when I got there were the trains.” Bill said it took a few trips for him to figure out there was more than one train at Disneyland, but once he realized that fact, he continued his diligent research. When he found out about Walt Disney’s affinity for steam trains and even his ownership of a scale model live steam engine, Bill began to dream about maybe working someday at Disneyland—on the steam trains, of course. “I love trains. I don’t really own any,” Bill admits, “but I love them.”

Bill’s Disneyland dream had to be tabled awhile as he worked on raising his family. Then one Sunday, just a few years ago, Bill and his son went to Traveltown in Los Angeles. They also went next door to the Los Angeles Live Steamers, and discovered Walt Disney’s Barn. During that visit, Bill met Michael Broggie, son of Disney Legend Roger Broggie and one of the members of the Carolwood Foundation, which maintains the Barn at the location. In 2009, Bill became a volunteer docent for Walt’s Barn.

Eventually, Bill joined the Carolwood Foundation and became a member of its board of directors. Now he can be found there on the third Sunday of each month, dressed in a conductor’s uniform, answering visitors’ questions.

When the last recession hit the U.S. economy, it pounded both Bill’s lines of work—hard. That’s when he applied to work at Disneyland. “I figured what the heck,” he said.

In 2011, Bill was offered a position as a Disneyland Attractions Host. After going through orientation with the Disney University, he was soon working on the west side of the park. Before long, Bill began getting calls for work back in his field, forcing him to resign his position after a few months. “I loved working at Disneyland, but there weren’t enough hours to support my family,” Bill admitted.

Meanwhile, he paid a few more visits to Knott’s Berry Farm and rode the Calico Mine Train Ride, where he found that the wonderful organ music in the Cavern Room had become less than heavenly over the years. “It sounded like it had been edited, and was very weak.”

Bill Reyes (right) is pictured with Bud Hurlbut, designer of the Calico Mine Train Ride and the Timber Moutain Log Ride at Knott's Berry Farm. Used by permission.

Bill Reyes (right) is pictured with Bud Hurlbut, designer of the Calico Mine Train Ride and the Timber Moutain Log Ride at Knott’s Berry Farm. Used by permission.

Bill decided it needed improving, so he paid a visit to his friend Lonnie Lloyd, who was shop foreman for the legendary ride designer Bud Hurlbut. (Bud had designed and built the Calico Mine Train Ride. Walt Disney admired Bud’s ride designs and met with him several times.) Even though Bud had passed away, Bill was able to get a copy of the original sheet music for the Caverns Room from Lonnie and set about recreating it from scratch. “I am not an organist,” Bill said. “I’m more of a technician. But I wanted to do it as a tribute to Bud.”

The original organ music had been recorded more than 50 years before on a real organ. While Bill did not have access to the original, he did have a scratchy copy of it and started working on a new recording. Because he was not an organist, Bill took more of a technical approach, recording digital samples of organ music and matching them to the sheet music on his computer. It took several months of finding and getting organ samples, plugging them in, listening, and adjusting before he finally got it finished. “I played it for Lonnie and he thought it was a new recording of the original.”

Bill’s work didn’t end there. When he heard that Knott’s Berry Farm was going to completely refurbish the ride, he wanted them to have the new recording and offered it to them gratis.

When the refurbished ride—with an all new sound system and more—debuted in June 2014, the organ music heard in the Cavern Room of the Calico Mine Train Ride is what Bill had produced, and he did it in line with all of his passions: music, trains, and theme parks.

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Here’s some previous stories about Disneyland Alumni:

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

Caretaker of Walt Disney’s Family Film Legacy

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

 

August 4, 2014 1 comment
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Tim Strauch II on his first day as a Disneyland character. Here he is dressed as Br'er Fox. Used by permission.
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A Real Disneyland Character

by Mark Eades July 29, 2014

Some teachers in school are real characters. In Tim Strauch II’s case, he was one—a Disneyland character that is.

Tim Strauch II on his first day as a Disneyland character. Here he is dressed as Br'er Fox. Used by permission.

Tim Strauch II on his first day as a Disneyland character. Here he is dressed as Br’er Fox. Used by permission.

Actually Tim, 44, played several Disneyland characters during his time as a Cast Member in the Entertainment Department from November 1996 to January 2001, including Pluto, Buzz Lightyear, Tweedle Dee and Tweedle Dum, Eeyore, Rafiki, Geppetto, C3P0 and his first one, Br’er Fox.

Tim got the performing bug from his father, who was a professional clown for parties and events while also working as a teacher by day. At the age of two, Tim first visited Disneyland. Even though he lived in the Sacramento, Tim loved Disneyland so much that as a Cub Scout he sold enough “Scout-a-rama” tickets to win a free trip to Disneyland four years in a row. He even told a cousin who went with him on one trip that one day he was going to work there.

Tim Strauch II is dressed as Pluto in this photo. On the left is his grandmother, on his right is his mother. Used by permission.

Tim Strauch II is dressed as Pluto in this photo. On the left is his grandmother, on his right is his mother. Used by permission.

In 1989, Tim submitted his first Disneyland application while attending junior college, planning to get a job there and finish his schooling at California State University, Fullerton. But that dream did not happen, so he went back home to Sacramento and attended California State University, Sacramento instead. After graduating with a degree in Communications, Media Production, he set off for Hollywood to find a career in show business.

Initially, Tim got a job in Six Flags Magic Mountain’s Character Department, while going on job interviews and auditioning for roles in television and films. Thanks to that experience, in 1996 he landed an audition to be a character at Disneyland.

“I’ve never felt more confident in an audition,” he said. He got the job and was made a Cast Member in Disneyland’s Entertainment Department. His first day as a Disneyland character on stage was his birthday in 1996, in the role of Br’er Fox.

Tim Strauch II is dressed as Pluto in this photo. Used by permission.

Tim Strauch II is dressed as Pluto in this photo. Used by permission.

Meanwhile, Tim continued to audition for acting roles or a position in television production, but that proved to be a struggle. “I knew it would be a hard field and I gave it my best. But I wasn’t as successful as I thought I could be,” said Tim.

Tim had done some teaching side by side with his dad, Tim Strauch, Sr. and decided it was fun, so he went back to school to get his teaching credential. He moved back up north, and started teaching at Community Outreach Academy Elementary School in McClellan, California, where he lives today with his wife of 14 years. As a teacher, he’s received a Teacher of the Month award handed out by the local ABC News affiliate, along with other honors.

Tim Strauch II is dressed as Eeyore, and is pictured with his father, Tim Strauch I. Used by permission.

Tim Strauch II is dressed as Eeyore, and is pictured with his father, Tim Strauch I. Used by permission.

But Disneyland is still in his heart and he fondly remembers his time in his many Disney character roles. “The experience is one that will never leave me,” he said. “I wear my Disneyland Entertainment ring everyday and I’m proud to say I worked there.”

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Want to read articles about some other Disneyland Alumni? Click on the links below.

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

Caretaker of Walt Disney’s Family Film Legacy

Tim Strauch II is getting ready to play C3P0 in a Disneyland nearby. Used by permission.

Tim Strauch II is getting ready to play C3P0 in a Disneyland nearby. Used by permission.

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

 

July 29, 2014 3 comments
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Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.
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Caretaker of Walt Disney’s Family Film Legacy

by Mark Eades July 22, 2014
Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.

Scott Zone, the official archivist of the Disney family home movies, stands in front of a bench from Griffith Park at Disneyland.

If you’re a fan of the Walt Disney Family Museum and all the great videos featuring Walt Disney and his family on display there, then you have Scott Zone to thank for how great they look—and it all started in 1995.

At that time, Scott was working at Orion as a colorist in video post-production when he was recommended to the Disney family for a very special project. “Diane and Ron Miller wanted all of Walt Disney’s home movies transferred to video, color corrected and restored,” Scott said.

So Scott was engaged to make that dream a reality, involving many reels of film. He restored the quality and color as best he could, using the technology available at the time. Walter Miller, Walt Disney’s grandson and co-founder of the museum, would come in each week to review the progress and view all the imagery.

Scott Zone, the conservator and archivist of the Disney family home movies, stands with Diane Disney Miller, the only natural daughter of Walt and Lillian Disney, outside the Walt Disney Family Museum while it was under construction. Photo used by permission from Miller family and Scott Zone.

Scott Zone, the conservator and archivist of the Disney family home movies, stands with Diane Disney Miller, the only natural daughter of Walt and Lillian Disney, outside the Walt Disney Family Museum while it was under construction. Photo used by permission from Miller family and Scott Zone.

When all the movies had been transferred Walt’s daughter, Diane Disney Miller, came in and sat with Scott to look at them, movies that featured her, her father and mother, her sister, and many other friends and family members.

“Diane started narrating them live. I wish I had had a recorder at the time. It was fascinating to hear her talking about what we were seeing on the monitor as if we were there,” said Scott. Scott transcribed much of the imagery and cataloged it for the family, and then he was done. The films were returned to a refrigerated vault in Hollywood.

Then a decision was made to produce a film using much of that footage in a 2001 documentary called, “Walt: The Man Behind the Myth,” directed by Jean-Pierre Isbouts, working with the family members. Scott became the liaison for the family with the filmmakers as they went through all the hours of footage for use in the film.

One large roll of home movies of Walt Disney and family.

One large roll of home movies of Walt Disney and family.

But Scott was soon going to be involved in much, much more when Diane tapped him to help out with the planned museum dedicated to telling her father’s story. In 2005, he got a call from Walter telling him about the concept. The initial thinking, Walter told him, was to use the home movies throughout. “Since technology had changed, I suggested re-transferring everything to HD (High Definition Video). So we redid the whole library.”

Because of Scott’s intimate knowledge of the home movies, Walter invited him to participate in some of the concept and design discussions the family was having with other designers, some of whom were former Disney Imagineers such as Jeff Kurtti and Bruce Gordon.

Scott Zone works on transcribing Walt Disney's home movies. Copyright by Scott Zone, used by permission.

Scott Zone works on transcribing Walt Disney’s home movies. Copyright by Scott Zone, used by permission.

After the museum opened, Scott was retained to make a more detailed transcript of what was contained in the footage. He went through each frame trying to identify the people visible or the location where it was shot. Many times he would work directly with Diane to come up with the information on footage that had been shot 60 years or more ago.

“I really enjoyed working with Diane. She was a wonderful lady and wanted people to know the true story about her dad,” Scott said. (Editor’s note: Diane passed away in November, 2013 at the age of 79.)

Even now, Scott is occasionally called on to put together some of the material for museum events. In 2011, the Disney grandchildren born during Walt’s lifetime participated in an event called, “Our Grandpa, Walt Disney.” For this project, Walter asked Scott to edit a video using the home movies that showed the grandkids with their famous grandfather.

Currently, Scott is working on a documentary about Walt Disney for PBS and also does speaking engagements for the museum. In addition, Scott works on projects for other clients as a colorist, archivist, author of Blu-Ray DVDs and more. Meanwhile, he is the steward of the legacy that is the home movies of one of the most creative people in United States history. “I want to make sure this important footage of this wonderful man is preserved forever.”

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Want to read articles about some other Disneyland Alumni? Click on the links below.

Lifelong bonds formed working at Disneyland

John Waite Loves Theme Parks

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

July 22, 2014 6 comments
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John Waite once worked as a Jungle Cruise skipper at Disneyland. This photo was taken in 1958.
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John Waite Loves Theme Parks!

by Mark Eades July 21, 2014
At one time in his Disneyland career, John Waite worked as an Attractions Host, though they were called Ride Operators in the early days, on the Matterhorn Bobsleds.

At one time in his Disneyland career, John Waite worked as an Attractions Host, though they were called Ride Operators in the early days, on the Matterhorn Bobsleds.

“I have always loved amusement parks,” John Waite told me. It’s a love affair that started when he was a kid growing up in Cleveland and stuck with him while studying theater at nearby Allegheny College—so much so that he worked at Euclid Beach Park (an amusement park on the southern shore of Lake Erie that opened in 1895 and closed in 1969) from 1947 until he graduated in 1951.

Near the end of his four-year stint in the Air Force (he was in the Intelligence field and cannot divulge exactly what he did!), John heard Walt Disney was building a theme park in California. “I told the family I was moving to California and was going to work for Walt Disney. I didn’t know what I’d do, I had no idea how the business worked out here,” he said.

He arrived in 1955 shortly after Disneyland opened. He took a temporary job at the post office for the Christmas season and sent his résumé to Walt Disney Productions. He got a call from the assistant personnel manager, who thought he knew John, but it turned out to be someone else with the same name. John got the job anyway.

“They had decided to hire college graduates into the Traffic Department,” John said.

The Traffic Department (where this article’s author also worked from 1979-80) delivered mail and messages around the studio lot. It was designed to give Studio personnel a chance to look people over and see where they might fit in, so for many it was the starting point of a Disney career.

John’s route was in the Animation Building, where he delivered mail to many future Disney legends, including to the office of the man himself—Walt Disney.

“My manager told me, ‘If you see Walt Disney, don’t say anything to him unless he says something to you.’ Well, my first day delivering mail I was walking down the hall and Walt was walking towards me, looking down at something with a scowl on his face. I just walked right by him. Then he whirled around and stopped, smiled and said, ‘Well, hello there.’”

John was soon transferred into Publicity when Card Walker—who would later become CEO of Walt Disney Productions—headed it up. John was put in charge of handling production stills. Often, John led tours of the lot for visitors, usually dignitaries or celebrities. This gave him the chance to peek inside some of the soundstages where Imagineers from WED Enterprises were doing mockups for future attractions at Disneyland.

John Waite, a Disneyland Alumni, worked in an office in the Opera House way before Great Moments with Mr. Lincoln showed up.

John Waite, a Disneyland Alumni, worked in an office in the Opera House way before Great Moments with Mr. Lincoln showed up.

While in the Studio’s publicity department he frequently worked with Van France, later the co-founder of the Disneyland Alumni Club, who was working in Disneyland’s personnel department organizing the training for new Cast Members.

When he learned that John really wanted to work at Disneyland, Van told him about the new Holidayland area they were creating for big corporate and other group events. The head of the studio’s personnel department thought John was making a mistake, but he still wanted to transfer to Disneyland and in 1957, John went to work for Van.

One of the first things he did was help put together the first event for Holidayland—an area in what is now New Orleans Square—for corporate and large events. The first event, a picnic for 5,000 people, featured a full meal, liquor, and a full slate of Disneyland entertainment, including the Disneyland Band, Indian dancers from the Indian Village (located in what is now Critter Country), Golden Horseshoe entertainers Betty Taylor and Wally Boag, and the Mickey Mouse Club. Attendees also got tickets into Disneyland. Despite all the entertainment and all the games set up, after everyone ate, no one stayed in the land. “They all went into the park to ride the rides,” John said.

John Waite, a Disneyland Alumni, is pictured with Chantel, a current day Tour Guide at Disneyland. John helped initiate and led tours on the first day they were offered in the early days of Disneyland.

John Waite, a Disneyland Alumni, is pictured with Chantel, a current day Tour Guide at Disneyland. John helped initiate and led tours on the first day they were offered in the early days of Disneyland.

Next Van volunteered John to help out with the first trial run of guided tours. They came up with spiels and costumes for a planned test run to see if people would like them, and more importantly, pay for them. “The first day they offered the guided tours, 90% of the gate paid for them. We were supposed to have 15 people in a group; we ended up having to have 50 people in a group,” John said.

Thanks to Van, John was also called upon to play Mickey Mouse out in the park at times. “They didn’t have a character department at the time. They did parades and shows, but when dignitaries came and wanted photos with Mickey and Minnie, they needed someone, I was one of the ones elected.” John also played Mickey Mouse at one of the first Disney nights at the Hollywood Bowl.

Van left Disneyland after a couple years to help Joe Fowler, another Disney legend, with Freedomland, a park Joe was building back east. John wasn’t happy when Van left, so he also left and went to work for UCLA’s Central Stage Management group, where they handled all the public events on campus. “My leaving Disneyland as a full-time employee was so sad.”

John Waite, a Disneyland Alumni, is pictured on the dock of the location of the Motorboat Cruise attraction. John worked the attraction in its first days of operation in the 50s.

John Waite, a Disneyland Alumni, is pictured on the dock of the location of the Motorboat Cruise attraction. John worked the attraction in its first days of operation in the 50s.

John worked at UCLA for 10 years, but during that time he worked summers at Disneyland on attractions like the Jungle Cruise, Matterhorn, and even a short stint on the Peoplemover. He did this until 1969. His heart was still with theme parks, and as John looked around for more opportunities, he found it in the new log flume technology being developed by Arrow Development for Six Flags. “I thought it would be great for Knott’s Berry Farm.”

John went to Six Flags Over Texas for several days to study the ride, then, while still at UCLA, developed a log flume concept that he planned to pitch to Knott’s. “It was a log ride concept, with a hydro-mining theme.”

John wrote to Walter Knott saying he had a ride proposal. A few days later Russell Knott, Walter’s son, called and asked John to come in for a meeting. “We met, and he told me that they didn’t do the designing of rides at Knott’s. He knew they were working on a log ride with Bud Hurlbut, but didn’t say anything.”

(Editor’s note: Bud Hurlbut is a legend in the theme park business. His ideas and attractions even influenced Walt Disney, who spent several days studying the Calico Mine Train Ride and in Bud’s shop, which was located just north of Knott’s Berry Farm.)

Russell set up an appointment for John with Bud, who designed many of Knott’s Berry Farm’s rides. John showed Bud his idea. “Bud laughed and said he wanted to show me something. He took me into his shop and showed me the models of the log ride he was building for Knott’s. I had to laugh too, but then I asked him for a job.”

Bud wasn’t hiring at the time, but offered John a job as a skipper on the steamboat that plied the lagoon at Knott’s. But John really wanted to work on the log ride construction. So John resigned from UCLA after the 1969 commencement exercises and went to work for Bud. “I worked on some of the final preparations of the ride, sealing cracks and things like that.” John became one of the Timber Mountain Log Ride’s supervisors and worked on it, and for Bud, for many years.

John Waite once worked as a Jungle Cruise skipper at Disneyland. This photo was taken in 1958.

John Waite once worked as a Jungle Cruise skipper at Disneyland. This photo was taken in 1958.

Now retired, John still loves theme parks and their rides. At the age of 85 he has passes for Disneyland and Knott’s and can frequently be seen at both of the parks.

“I love the rides and the people that work there. It’s always nice to go, sometimes just to watch the people having a good time.”

This profile is part of a series featuring former Disney Cast Members being written for the Disneyland Alumni Club. These stories reveal the role working for Disney has played over the years in shaping the lives of the people who help “make the dream a reality,” as Walt would say.

In honor of the 60th anniversary year of Disneyland in 2015, the Disneyland Alumni Club is reaching out to former employees, whether retired or younger, who may not be aware of the organization. The Club was started in 1983 by Disneyland executives Van France and Dick Nunis as a way to help Cast Members stay in touch after moving on to other careers. Is that you? If so and you’d like to take part in the Club’s private celebration next August—or participate in their many other activities and benefits, please visit www.disneylandalumni.org and join today!

Want to read articles about some other Disneyland Alumni? Click on the links below.

Lifelong bonds formed working at Disneyland

Caretaker of Walt Disney’s Family Film Legacy

A Real Disneyland Character

This article and photographs are copyright 2014 by Mark Eades, all rights reserved. Used by permission. Photographs supplied by subjects are used by permission, all rights reserved.

July 21, 2014 5 comments
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A privilege and an honor

by Mark Eades May 16, 2014

It’s both a privilege and an honor. It’s both hard and frustrating. It’s both sad and touching. It is all of these and more when dealing with watching someone you have known for more than your life go through the debilitating decline of their health in their advanced years.

Not everyone has to deal with this, yet many do. The delicate dance of watching a loved one have to come to grips with the fact that there are things they can no longer do, or that you can do with them.

What used to be easy, like going to the bathroom, now becomes a difficult march. Eating becomes something less enjoyable. Just having a conversation can be hard.

Yet we persevere, just continue on – cherishing those days. But we also have to keep going, there is a living to be earned, bills to pay, children and grandchildren to help grow into adulthood so that they might be there one day for ourselves.

Society does not always deal well with those that are aging, those that are declining in health. Many times they are left in nursing homes or hospitals, to decline and die alone. Some times they have no one around to care at all.

And those going through it themselves don’t understand it either. What they know in their minds they should be able to do leads to frustration when their bodies no longer allow them to do it themselves. They feel a loss of dignity when they need help to go to the bathroom, or to bathe, or even get in and out of bed.

They feel less human, like they’ve become a young helpless baby, when they have to be fed instead of feeding themselves.

They feel less like who they are when they don’t even know if they’ve paid the bills or even who some of those who are around them might be as their mind begins to drift away.

Yet there is a dignity about dealing with it up front. It does take a toll, but a toll that can be cherished.

My mother, Susan Eades, is in the red on the right. My father, James Eades, is wearing a white T-shirt and sitting down. This photo was taken Mother’s Day 2014, many family members were there that day.

I am talking about my mother. Her health has become a delicate balance of medication and sustenance. Her age, nearly 80, along with being a heavy smoker for many years, has made it that much more difficult.

My father is 80 and is there with her, and has not had to live through something like this – he did not get the privilege with his parents as they lived 2,400 miles away.

I had the privilege with my in-laws, it took its toll, but got to know them in a way I had not, as did my wife, their daughter.

Now I am going through it with my mother, and it is difficult. There are good days and bad. But it is still a privilege and an honor.

May 16, 2014 2 comments
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Knott’s Soak City opens for 2014

by Mark Eades May 16, 2014

knottssoakcity2The tide is in at Knott’s Soak City for the summer 2014 season.

The 13-acre waterpark will open for the 2014 summer season on weekends beginning Saturday, May 17th and every day starting Memorial Day weekend.

This season there will be a new feature at the waterpark. First up is a new complimentary Yoga class for its 2014 season pass holders.

The Yoga class will be held every Friday and Saturday morning from 8:45 – 9:45 a.m. and starts June 27th running through August 9th. The classes will take place on the grass near the newly painted Grammie Lagoon.

knottssoakcity3In addition, Knott’s Soak City, Gold and Platinum Season Passholders can enter the water park an hour and a half before the general public at 8:30 a.m. on Fridays and Saturdays beginning June 27th and runs through August 9th.

The waterpark will be open daily starting Memorial Day weekend through September 1st, then weekends through September 14th.

Regular admission to the park is $36, $26 for juniors (ages 3-11) and seniors (62 and over). Admission includes unlimited use of all water park rides and attractions. Kids under three-years-old are always free.

The Knott’s Soak City Season pass is currently priced at $66, or six payments of $11. Prices for the season pass will be increasing May 26th.

Guests can also purchase a Gold Season Pass which gives them admission to both Knott’s Soak City and Knott’s Berry Farm theme park. The Gold Season Pass costs $102 or six payments of $17, or less if a junior or senior.

All prices do not include any applicable fees or taxes.

knottssoakcity4Knott’s Soak City will also offer its guests an All Day Dining Plan. The Plan can be purchased on the day of their visit for just $29.99+tax and applicable fees. Every 90 minutes guests can dine again and enjoy a wide variety of entrées at Soak City’s Long Board Grill.

All tickets and passes can also be purchased online at soakcityoc.com, or knotts.com.
Operating hours may vary, and are subject to change. For the most up to date information visit the websites, or call 714-220-5200.

May 16, 2014 0 comment
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No April showers but still have May flowers

by Mark Eades May 5, 2014

Southern California might not have had much in the way of April showers, but we still get May flowers. Sometimes when I power walk, I just like to stop and check out the flowers in the neighborhood.

May 5, 2014 0 comment
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All aboard for Fullerton Railroad Days 2014

by Mark Eades May 5, 2014

Railroad fans of all ages descended on the Fullerton Transportation Center for Fullerton Railroad Days.

You can click here to check out the photos.

May 5, 2014 0 comment
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Opening dates for Camp Snoopy and Calico Mine Ride announced

by Mark Eades May 2, 2014

Knott’s Berry Farm said that the grand re-opening for Camp Snoopy and the Calico Mine Train Ride would be June 14, 2014.

Knott’s decided last year, that after the success of the refurbishment, including new show scenes and more, of the Timber Mountain Log Ride, that its other classic Bud Hurlbut designed ride, the Calico Mine Train Ride, needed some of the same work.

The same company, Garner Holt, has been involved in the refurbishment since the ride closed in January. The newly refurbished ride will feature new figures, and a complete redo of all the classic scenes, as seen in this photo of the steamy mud pots room.

The steamy mud pots room, the first scene in the Calico Mine Train ride at Knott's Berry Farm. The room has not had steam for a few years, but it was returned with a new boiler as part of the massive refurbishment in the spring of 2014.

The steamy mud pots room, the first scene in the Calico Mine Train ride at Knott’s Berry Farm. The room has not had steam for a few years, but it was returned with a new boiler as part of the massive refurbishment in the spring of 2014.

At the same time Knott’s embarked on a redo of Camp Snoopy, making it feel more kid-friendly, and like a camp in the high Sierras.

One of the many new signs that will be placed in Camp Snoopy at Knott's Berry Farm during its 2014 refurbishment. The signs are redwood planks, sandblasted to give them a raised look, then hand painted.

One of the many new signs that will be placed in Camp Snoopy at Knott’s Berry Farm during its 2014 refurbishment. The signs are redwood planks, sandblasted to give them a raised look, then hand painted.

This refurbishment also features the addition of three new rides, as well as an update to the steam railroad in the camp that will now have scenes straight out of the “Peanuts” comic strip.

These dimensional characters from the Peanuts comic strip will be part of a scene that riders on the Grand Sierra Railroad will see after its completion as part of the Camp Snoopy 2014 refurbishment at Knott's Berry Farm.

These dimensional characters from the Peanuts comic strip will be part of a scene that riders on the Grand Sierra Railroad will see after its completion as part of the Camp Snoopy 2014 refurbishment at Knott’s Berry Farm.

Read more about the work being done on both the Calico Mine Train Ride and Camp Snoopy by clicking here.

 

May 2, 2014 0 comment
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Artistic wonders at Wondercon 2014

by Mark Eades April 21, 2014

The artistry on display at Wondercon 2014 makes my words on this page pale by comparison.
The images drawn by all the artists’ hands constantly amaze me.

Steve Feicht, creator of "Tiny Nightmares," characters that kids encounter in their dreams, with his daughters Katie, 11, (left) and Devon, 15, (right).

Steve Feicht, creator of “Tiny Nightmares,” characters that kids encounter in their dreams, with his daughters Katie, 11, (left) and Devon, 15, (right).

One of the artists there, Steve Feicht, I’ve known since 1977 when we both worked at the Riverbelle Terrace at Disneyland together. We went our separate ways, but have always stayed in touch.
Steve eventually went into toy design and went off to New York to work for several years. Walt Disney Imagineering, where I was working in the creative division, was on a hiring spree in the mid-1980s.
One day I heard a familiar voice in the hall, it was Steve. He’d been flown in with his portfolio for an interview with management, including my boss and Disney Legend, Randy Bright. Steve and I had a nice lunch together where he showed me his design portfolio.
Later that day Randy asked me about Steve, and I gave him a solid recommendation. I think it helped.
Anyway, Steve was soon hired into WDI. We worked on several projects together there.
Eventually both he and I left WDI for other things, he went back to the toy design industry and I went into the journalism business, but we’ve always stayed in touch.
Every year he sends our family a hand-drawn Christmas card. He even created my business logo.

Tiny Nightmares showed up at Wondercon 2014. Image courtesy: Tiny Nightmares & Steve Feicht.

Tiny Nightmares showed up at Wondercon 2014. Image courtesy: Tiny Nightmares & Steve Feicht.

Steve has designed some really fun toys and other things over the years, and now the father of two lovely girls has come up with a really fun concept – Tiny Nightmares.
It was a concept inspired by stories he would tell his daughters to help them sleep. Other friends, parents of small children, inundated him with requests for their own Tiny Nightmares creatures.
According to Steve: “The Tiny Nightmares are the gruesome gang that defends your dreams. They use their special powers to fight the nighttime nasties who spoil your slumber.”

Tiny Nightmares showed up at Wondercon 2014. Image courtesy: Tiny Nightmares & Steve Feicht.

Tiny Nightmares showed up at Wondercon 2014. Image courtesy: Tiny Nightmares & Steve Feicht.

He and his daughters had a booth at Wondercon 2014 where people could check out the characters he created.
It debuted in 2010 at the San Diego Comic-Con, and has been steadily growing as a business, and a wonderful concept.
Hopefully it will be an animated television show soon too. I urge you to check it out at the Tiny Nightmares website.

You can read about my overall impression of Wondercon 2014 here at a post on Inside the Magic.

If you’re into the Cosplay at Wondercon 2014, you can click here to find more photos.

Earlier I wrote about some of the writers I met up with at Wondercon 2014.

I also wrote about some of the other wonderful weird concepts I saw, and you can click here to read about them.

April 21, 2014 0 comment
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