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Some Thoughts on the 2019 IAAPA EXPO and more

by Mark Eades December 3, 2019

Another November and another visit to Orlando to attend the annual IAAPA Expo, 2019 edition, and some reflections on what I saw this time and more.

Photo courtesy: Themed Entertainment Association

The TEA Booth

First of all, the TEA (Themed Entertainment Association) booth was always crowded. Not just at times they were making announcements, such as about the THEA Awards. But, almost all the time. The booth needs to be about twice the size it has been with more chairs.

That said, it was great meeting up with so many folks in the business looking for their next project gig.

I do wish more booths had seating so folks could just visit and network — and rest their weary feet.

The characters from the Garfield comic strip. Garfield’s creator gets paid very well. Photo by Mark Eades

Proper Pay for Creators

I met with a few young folks, fresh out of college or about to graduate, and talked about a variety of things – including how to break into the business. During that discussion I talked with one young writer who had gotten a few small writing assignments and I inquired about the pay rate.

Let me tell you, it was not enough. By the time that person would have had to pay for all of Social Security and Medicare, and then would have made less than $12 an hour. Shame on the person and company that paid that ridiculously low amount.

I’ve heard similar stories from a few starting (starving) artists too.

I’m not saying that inexperienced folks should be paid as much as high end experienced creative talent, but the pay should at least be more like at least $17 an hour after paying the government mandates.

I also think that TEA should give lessons on things like how to understand the tax consequences of getting paid via a flat rate that does not cover those things, and the resulting hit on income taxes.

The artists and writers are the creators and should be compensated fairly for creating attractions for companies that are the ultimate revenue and attendance drivers of folks visiting themed entertainment venue. They should either get paid more or get a part of the gate.

I know these businesses expect a return on their investment, but maybe better deals would offer some kind of profit sharing. In the movie and TV businesses those that create share in the money those items make mostly through something known as residuals. Maybe there should be a consideration of the same thing for the theme park business.

The IAAPA Expo 2019 Floor. Photo by Mark Eades

Total Solutions

Many companies at IAAPA offered “a total solution” to theme park design. The “one-stop” shop that has become so vogue. All these businesses are like mini versions of Walt Disney Imagineering was back when they were WED/MAPO.

From a contracting standpoint that can make sense, but it doesn’t always work. Often, by the time the finished product opens (be it a ride, attraction, land or more), it sometimes seems like it doesn’t really work as originally conceived – to the bitter disappointment of everyone, including the public and a company’s bottom line.

That is partly the fault of the company doing the hiring. Everyone buys into the concept as it moves along through the design, production and construction pipeline. It seems, sometimes, that no one says “wait a minute.”

Several times in my years in and around the business, I’ve heard people say “we should have taken a step back.” Well maybe companies should think about hiring an independent person or persons whose sole job is to be that “step back” person, and point out issues they can see as they are not so close to the project to begin with.

Catching the problems in the various stages before they lead to something that doesn’t work right at all when it opens to the public should be an important adjunct function. The themed entertainment business is littered with failed rides, shows and more because everyone involved was too close to it and could not see that they were no longer on the yellow brick road to success.

Saying goodbye to IAAPA Expo 2019. Photo by Mark Eades.

I’m a curmudgeon truth sayer

Yes, I’m saying all these things because I’m a bit of a curmudgeon and in my two careers (in theme park design and then covering them as a journalist) I’ve seen a lot of these. Maybe that’s the consulting business I should start: Nothing but the blunt truth, whether you like it or not. Think of how many cruddy projects I would stop in their tracks!

Those are my thoughts coming out of IAAPA 2019. Feel free to comment with the unvarnished blunt truth. Or hire me to tell it to you.

December 3, 2019 0 comment
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Knott's Berry Farmtheme parks

Where’d the Catawampus all go?

by Mark Eades July 18, 2018

At Knott’s Berry Farm in Ghost Town, near the stables and beneath the windmill stands an odd creature known as the Catawampus, or “Species Extinct.” Here is a link to Part 1 of my journey of discovery to learn more about this odd creature. Here is a link to Part 2 of my journey. Below is Part 3 of my journey, read on…

Professor Ananias had found the old Prospector, and was learning more about the habits of the Catawampus that day and night. He did a drawing of one of the ones he saw that evening around the old Prospector’s camp.

It is indeed a strange looking creature. I’m not sure it is real to this day – but the Professor claimed it was, but all he could do was a drawing as he did not have a still camera with him, as they were very expensive back then.

This rough coal sketch of a Catawampus was created by Professor Ananias in 1881. Or so his (wink, wink) journal says.

This drawing was from his journal that I found the only copy of, so I kept reading…

September 21, 1881

I finished my sketch of one of the creatures and noticed that the herd had stopped moving. They were also getting harder to see as the old Prospector’s fire was dying down and the moon was disappearing under some clouds.

“You better get inside your tent and tie it shut, feels like a storm’s comin,” said the old Prospector.

I pointed out towards the Catawampus herd, “Why aren’t they moving around?”

The Prospector shrugged, “I think they do that so any coyotes coming by won’t know they’re alive, then they jump ‘em and get a meal.”

I just nodded, in slight disbelief. We both saw some lightning off in the distance. We both made sure our horses were secure in the Prospector’s makeshift stable, and I turned in, securely tying my tent flap.

The occasional lightning flash made it hard to sleep but I finally started dozing off when I was startled by a yelp. But it was pitch black and started to rain so stayed in my tent. I could hear some movement over where the herd was, they were in the dry wash.

The rain grew more intense, and I could hear the herd moving around – it sounded like they were moving away. Then I heard a roar of water rushing down the ravine, followed by more intense lightning and thunder and more rain. It was safer to stay in my tent on the higher ground.

Eventually the rain died down, and so did the sound of the rushing water – then it got strangely quiet. I peeked out the flap, but could not see a thing. I yawned and went back to sleep.

That morning, I woke up with a start, the horse was making some noise. I grabbed the sack of horse feed I had with me and went outside. The Prospector was at the stable, feeding his horse. I brought over my feed for my horse.

Looking around at the wash, all I could see was evidence of where the water had been, and a few small pools of water still standing – soon to be gone by the rising sun.

“Where’d they go?” I asked the Prospector.

He shrugged, “Probably run off thanks to that storm, or could have been washed downstream. But they got themselves a coyote last night.” He pointed at a carcass of a coyote, pretty much picked clean on the banks of the wash. Flies were already buzzing around the carcass.

While my horse ate its fill, I wandered down to the wash – there were no tracks of any kind.

“Thanks to that storm, you probly won’t find any tracks for them,” the Prospector said.

I nodded, but was determined to continue my journey and even try to trap one to bring back to the college. I packed up my things and thanked the Prospector.

“Good luck, they’re hard to find and can blend into any woods,” he said as I rode off.

Before going downstream, I went upstream and found that the flash flood had washed away the strange purple berry plant. The Catawampus would probably not be returning to this location any time soon. So I turned my horse around and we headed downstream.

November 1, 1881

I’ve spent the better part of a month looking for any sign of the Catawampus, but can find nothing. I hear stories once in a while, all of them pointing towards them heading up into the San Bernardino mountains.

December 20, 1881

It’s getting cold in these mountains, ice is on the ground and snow is at the higher altitudes. I’m running low on funds and have found no sign of the Catawampus at all, though have heard some talk about finding dead coyotes here and there.

As much as I hate to admit it, I must return home back east and report my findings for now. I hope my colleagues will trust what I have to say and not laugh me out of the college.

— Well that was the last entry of Professor Ananias’ journal from then. He was, indeed, ridiculed, for his findings. He left that college, and took up another trade, that of railroading – serving at first as a fireman, then an engineer on one of the narrow-gauge railroads that were servicing both the mining and the logging operations in the Rockies.

But he never gave up his quest, and after decades, in his senior years, came west to California again, after hearing rumors of a strange wooden creature somewhere near Barstow.

More in the next installment.

Editor’s note: This is part three of a multi-part series. Here is a link to Part 1. Here is a link to Part 2. Here is a link to Part 4. Here is a link to part 5.

July 18, 2018 0 comment
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Disneyhometheme parks

Look out world, here I come

by Mark Eades February 24, 2014
This is where I started my first real job with Disney.

This is where I started my first real job with Disney.

I’ve had two careers, first with Disney then others in the theme park world. That included 11 years with Walt Disney Imagineering. Then my second career was journalism in television with the Orange County Newschannel and newspapers with the Orange County Register.
In September 2017 I stepped away from working as a full time journalist. So now I’m embarking on my third career. What will it be? Well, that’s what I’m looking at discovering, and planning to have some fun at it. I like to enjoy my work.
I think of myself primarily as a writer, a storyteller in any medium. I’ve had the good fortune to tell stories in the theme park world and in news, and get paid for it. I am going to look for a full time job, but it’s tough out there so I’m going to pursue some other things while looking.
Whatever my third career is, it will still be as a storyteller.
I will continue to write about, take photos of, and shoot video about the theme parks. Right now, I’m going to tell those stories for insidethemagic.net, and will post links to those stories here. Some will be about the new things at the Southern California theme parks, while others will be stories about my times helping to create some of the attractions.
On the fun side, I’m going to tell some stories about being the father of five children. Yes, that’s right, five children. We’ve had a lot of adventures over the years with them since my first was born in 1982, so look forward to some of those tales. But those tales will be told with a twinkle in the eye and a smile on my face, and after putting enough of those tales together, maybe a book.
On both a comical and somewhat serious side, I plan to write about the topic of aging.
Finally, totally on the fun side, I will also post stories, photos and occasional videos about trains, model trains, full-sized ones and more. Yes, it’s a passion of mine. I don’t have a model railroad (I hope to sometime as space and money becomes available) but love trains, particularly those with steam-powered engines.
There are some other ideas I’m pursuing. After all, all it takes is sitting down and writing them out – I love starting out with a blank page and filling it up with words. Oh sure, money helps, and my belief is that it will come. But the blank page doesn’t scare me like it does some people. All you have to do is put words on it.
So anyone out there with ideas needing a good storyteller, in theme parks, news, television or other, give me a call.
Look out world, here I come again for career #3.

February 24, 2014 0 comment
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